Here is a chord/melody arrangement of the theme. -Brad Mehldau's The Art of the Trio Vol IV released in 1999. These first two sections can also be thought of as the first “half” of the tune. The effect created by the modulations to remote keys is reminiscent of romantic music. This analysis makes improvising over this song a lot easier. Bm7 Em7 A7 D7M You are the breathless hush of evening G7M C#m5-/7 C#7 F# That trembles on the brink of a lovely song. The ‘ symbol is used to differentiate this section from the first, as they are both very similar, but as you will see, they are in different keys. The login page will open in a new tab. Jazz Piano Lessons Step-by-step lessons to master jazz theory; Blues Piano Lessons Learn the blues, jazz blues, funk, & gospel; Brazilian Piano Lessons Study bossa nova, samba, & choro styles; Weekly Live Seminars Seminars, workshops, and live Q&A sessions; Subscribe now; Resources. Very helpful! Here are 2 Chet Baker examples over the VI II V I progression starting on bar 9. Countless […] All the things you are Em7 Em7 Am7 D7 Gmaj7 You are the promised kiss of springtime Cmaj7 F#7 B7 That makes the lonely winter seem long. Introduction: Em7 Am7 D7 G7M C7M F#7 B7 Em7 Am7 D7 G7M You are the promised kiss of springtime C7M F#7 B7 That makes the lonely winter seem long. All The Things You Are Tab by Jerome Kern. The next eight bars have a similar key structure as the first eight, though this time the two keys being used are Eb and G: Thinking of the second eight bars as a transposed version of the first eight will allow you to develop motivic ideas over the first half of the tune. Here’s how you play it … Most of these players try and navigate through the changes using big, bulky two-octave scales and arpeggios which cause them to be late on the next chord, or not get there at all. The intro starts on Db7#9 (tritone substitution of V/V), and then goes to C7#9, the V of the first chord of All The Things You Are (Fm7). Em7 Am7 D7 G7M One day my happy arms will hold you C7M Cm7 G Bm5-/7 E7 And someday I'll know that moment divine Am7 D7 Cdim G When all the things you are are mine. JazzStandards.com: The premier site for the history and analysis of the standards jazz musicians play the most. Anything you play over the first eight bars can be played over the second eight bars, just a fourth lower, or a fifth higher depending on how you want to think about it. The melody is also genius. This section is used to “wrap” up the first two sections by restating the melody line in bars 25 through 29, before presenting new material that leads to the final cadence in bars thirty-three through thirty-five. Using chromatic embellishment or altered scales may add interest but actually causes the keys to be less obvious. Intro: Em7 Am7 D7 G7M C7M F#7 B7 Em7 Am7 D7 G7M You are the promised kiss of springtime C7M F#7 B7 That makes the lonely winter seem long. What most guitarists fail to realize is that the piece actually has a fairly intricate harmonic structure that can pose quite a few problems for the beginning improviser or comper. You can see the added chord subs written in red in both examples below. The form is also particularly unusual. If we take out the key centers, the first eight bars have exactly the same numerals as the second eight (6-2-5-1-4-2-5-1). In this solo, we are simply attempting to make use of the concepts covered on this website, such as soloing with guide-tones and making use of space, good phrasing, etc.. As always, you can take some of the licks here and … The second four bars of this section, 29-32, contain an idiomatic jazz progression that is commonly found throughout the jazz standard literature, IVmaj7-IVm7-IIIm7-bIIIdim7. All the Things You Are - Intro, Chord Melody, Single-Note Solo & Chord Shapes, The Post-Holdsworth Jazz Vocabulary for Modern Jazz Guitar, The Definitive Jazz Guitar Chord Chart for Beginners, The Beginner's Guide to Jazz Chord Progressions, The Ultimate Guide to Jazz Guitar Chords: Learn Comping, A Gentle Introduction to Guitar Chord Theory. All the Things You Are is one of the most popular standards of all time. If you’re new to jazz, I highly recommend that you start out with this All The Things You Are Lead Sheet. If you find a wrong Bad To Me from Frank Sinatra, click the correct button above. Notice how similar each section is to the other sections of the tune: Knowing the Roman numerals will not only help you to understand the harmonic structure of AATYA, it will also help to transpose this tune into other keys. Be sure to get these shapes under your belt as they are vital to any jazzer's chord vocabulary. It’s a fun eight bar piece that mixes chords and riffs. Being able to quickly recognize key centers, and short excursions outside of the main key areas will make sight-reading any tune a breeze. -Pat Metheny & Jim Hall's Jim Hall & Pat Metheny album released in 1999. The changes are harmonically complex and fun to improvise on. If you still haven't found what you're looking for, please send to us. es un gran aporte el que hacen! At E-Chords.com you will learn how to play Ella Fitzgerald's songs easily and improve your skills on your favorite instrument as well.. Daily, we added a hundreds of new songs with chords and tabs, just for you ;).. All the Things You Are is a definite "must" in the jazz repertoire. After you have looked them over, and listened to the audio example, try comping over ATTYA and inserting these changes into your playing in order to feel and hear how they sound in a musical situation. At E-Chords.com you will learn how to play Michael Jackson's songs easily and improve your skills on your favorite instrument as well.. Daily, we added a hundreds of new songs with chords and tabs, just for you ;).. All the hard work is done. The last A section starts with the same numerals as the first A section. The backing track is done with Band in a Box, a great piece of software that lets you create backing tracks on the fly. It is 36 bars in length with an AA2BA3 form. They really always seem to put the music first. 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This is used to turn the tune around to the first chord at the top of the form, Fm7. Print and download All the Things You Are sheet music from Very Warm for May. He draws from his experience both as a professional jazz guitarist and professional jazz teacher to help thousands of people from all around the world learn the craft of jazz guitar. It gives you an idea of how important certain progressions are in the jazz idiom, such as the 2-5-1 chord progression, which occurs ten times during the thirty-six bars of ATTYA. Because of its interesting features in melody, harmony and form, "All the Things You Are" is played at all kinds of tempos and in many different styles. D G D With salvation's walls surrounded, G D A D Thou may'st smile at all … The melody is quite sparse and allows for lots of freedom with its interpretation. This is because Cm7 is the III in the key of Ab major, which contains a Db, not a D. Now that you have a better understanding of the harmonic layout of All the Things You Are, try and analyze other jazz standards in a similar fashion. Instrumental interlude: Em7 Am7 D7 G7M C7M F#7 B7 G#m7 C#7 F# You are the angel glow that lights a star. Very nice. Bm7 Em7 A7 D7M You are the breathless hush of evening G7M C#m5-/7 C#7 F# That trembles on the brink of a lovely song. I album released in 1983. Cm5-/7 Fm7 Bb Eb Gdim The dearest things I know are what you are. The last three measures are in the key of C Major. Since this is chord melody, I like the added color of Am7b5. E Memories are all I have to cling to (cling to.) Because of the tune’s popularity, many guitarists learn to play All The Things You Are at a fairly early stage in their development. -Pat Metheny's Trio â Live album released in 2000. The same is the case for the F#m7. This song in particularly has a very open melody so that leaves the accompanist with a good bit of freedom. Of course, it's never a good idea to abuse it, but it's nice to have! There are two key centers found within the first eight bars of the tune, Ab and C: Even though these chords are in two different keys, the fact that they are a half-step apart makes for a smooth modulation. This is great for the beginner or early intermediate jazz guitar players. Notice that he plays a b9 as a passing note over the Cm7, and not the natural 9. PDF Downloads Common chords, scales, & progressions; Syllabuses Syllabuses to guide your learning … Kind of weird, I know, but that's one of the things that really makes this tune so interesting. By understanding the relationship between each section of the tune, and the chords within those sections, you can develop a greater appreciation for the overall formation of the harmony, which will allow you to better navigate the changes in both a solo and chordal fashion. The bIIIdim7 (Bdiim7) chord then resolves down to the IIm7 (Bbm7) chord in bar 33. Don’t worry about the quality of the chord (m7, maj7, etc), just focus on remembering the numbers. Y tambien, en la melodia del compas 18 creo que deberia sugerir un Gb(F#) Saludos, In here I can learn something useful to complete my performance~. All the Things You Are – Tab. Pat really takes you for a ride here. All The Things You Are – Charlie Parker Intro To begin this lesson, we’ll start with the famous intro Charlie Parker played on his recordings. I’m going to study and use it right away. In this solo, we are simply attempting to make use of the concepts covered on this website, such as soloing with guide-tones and making use of space, good phrasing, etc. I particularly enjoy Pat Metheny's version as well as Brad Mehldau's. encuentro un error entre el cifrado, la partitura y la tablatura en el chordmelody, en el compas 14 sobre el Ab7(#11), el A y el G son bemoles como confirma el cifrado y la tablatura. All the Things You Are is not only a fun tune to improvise on, but it is also a brilliant composition. B And heartaches are the friends I'm talkin' to (talkin' to.) Instead of trying to work out larger groupings of notes over this section, I’ve found that it can be beneficial to pick a short four to six-note motive to base ideas of during this section. Jazz can seem like a maze to player like me that’s why I appreciate these lessons so much ! In classical music, this section would be called the recapitulation. Notice how the fingering and the intervals are the same between the two lines, the second motive has just been moved up the neck to fit the new key center. Thank you Matt and Dirk for this lesson. Improvisers beware, you don't want to be caught by unprepared here. Below is a Roman numeral analysis of All The Things You Are. 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Learn to play guitar by chord / tabs using chord diagrams, transpose the key, watch video lessons and much more. G#m7 C#7 F# You are the angel glow that lights a star. Lessons. Here’s an example of what Charlie Parker plays over these chords. The song was written for the musical Very Warm for May (1939) and was introduced by Hiram Sherman, Frances Mercer, Hollace Shaw, and Ralph Stuart. This type of analysis if outstanding; especially for people like me who seem to never finish a tune and don’t know why. E B E Well, I'm thinkin' 'bout the things we used to do. Bars seventeen through twenty-four are often referred to as the “bridge” section of All The Things You Are, since the melody line has changed and we are now dealing with two new key centers. When playing 3 to 9 arpeggios, you are using arpeggios you already know in a new situation, which you can see in the text below each bar of the melodic pattern. This is why transcribing is so helpful! So you may use an Ab Major scale over the first five measures and a C Major scale over the last three. Bm7 Em7 A7 Dmaj7 You are the breathless hush of evening Gmaj7 C#m7/5- C#7 F# That trembles on the brink of a lovely song. There’s a lot of ground to cover here, and actually, I will run you through the steps of what there is to learn and know about this song. The progression starts with a IVmaj7 chord in bar 29, which then becomes a IVm7 chord, before moving down to IIIm7 and finishing on a bIIIdim7 chord. 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All The Things You Are. #2. The intro starts on Db7#9 (tritone substitution of V/V), and then goes to C7#9, the V of the first chord of All The Things You Are (Fm7). In this first lick, Chet Baker plays an Abmaj7 arpeggio over Fm7, resulting in a minor 9 sound: On the next chord (Bb7), he switches to an Ab7 arpeggio, emphasizing the b13: In this second lick, Chet Baker plays an Fm7 arpeggio over Fm7, and a Dm7b5 arpeggio over Bb7: When I teach this song to younger or less experienced players they usually have trouble navigating through bars 29-32, the descending chord section. All the Things You Are Lesson B E Thinkin' 'bout the things we used to do. Here are a few shapes you can use when comping for this tune. This approach will give the strongest sound of the two keys! All the Things You Are was written by Jerome Kern and Oscar Hammerstein II for the Broadway musical “Very Warm for Me,” which debuted in 1939. This form tends to trip beginners up, so be sure you know where you are! Jazz Tone Step by Step: How do I get "THE" jazz sound ? Gmaj7 Am7 You are the angel glow D7 Gmaj7 That lights a star. The ear is good but for me this opens my eyes to how other creative types think about the tune and why. The last section of the tune is similar to the first, though just a bit different, so we will label it A’’. OMG, where was this understanding when I was 20? Having an understanding of any tunes harmony will make your solos have a deeper connection to the tune. Here are those two common ATTYA chord subs on paper. There are many analyses of ATTYA on the web, but non as clearly as this one. If you are having trouble remembering the Roman numerals to this, or any tune, try saying them out loud as you are practicing the piece. Copyright Jazz Guitar Online 2020 © All rights Reserved. CAPO ON 4TH FRET Fadd#11 13320x [Intro] G Dm Cmaj7 x2 [Verse 1] G Dm Cmaj7 When I was younger I saw my daddy cry and curse at the wind G Dm Cmaj7 He broke his own heart and I watched as he tried to re-assemble it G Dm Cmaj7 And my mama swore that she would never let herself forget G Dm And that was the day that I promised I'd never sing of love Cmaj7 if it does not exist, but … Fasten your seat belt! Harmonically, the tune cycles through 4ths starting from the vi of each key and then has a surprise modulation at the end of each section. Can you share your SGU file for band in a box? What's there to say about Mehldau that hasn't been said already? Fm7 B m7 E 7 A Maj7 D Maj7 G7 CMaj7 Cm7 Fm7 B 7 E Maj7 A Maj7 D7 GMaj7 Am7 D7 GMaj7 F m7 B7 EMaj7 C7 5 Fm7 B m7 E 7 A Maj7 D Maj7 D m7 Cm7 B 7 B m7 E 7 A Maj7 (Fim) G7 C7 1 All The Things You Are Hammerstein/Kern All the Things You Are can be divided into four sections, with the first two being sub-sections of one larger section: The first section of the tune contains bars 1 to 8 and is labeled A. Everything this guy does is always so free and inventive. After logging in you can close it and return to this page. The backing track comes from our Let’s Jam Jazz Standards collection which features nine other great jazz songs. Click to go back to our library of free jazz standards! As previously mentioned, it is a must-know for any serious or aspiring jazz musician and it is often called on gigs and jam sessions. Take that, you critics! Here is a backing track to help you get ATTYA’s chord changes in your ears and to improvise over. In fact, I do believe that he and Dizzy Gillespie are credited for this intro. Download your "All the Things You Are - Chord Melody, Solo, and More" PDF here. [Intro] C - F - G (4x) [Verse] C2 Am7 C2 Almighty God, my Redeemer Am7 F My Hiding Place, my Safe Refuge G2 F2 No other name like Jesus G2 No power can stand against You. After the descending section, the tune finishes with a 2-5-1 in the tonic key of Ab. This one is still my favorite. Many play this tune with this very popular intro. As has been commonplace in jazz history, the critics tore the show apart and it was quite a financial disaster. In classical music, this section would be called the development section. G#m7 C#7 F# You are the angel glow that lights a star. I will discuss a more complicated approach later but more complicated is not n… -Keith Jarret's Standards Vol. The B section is the “contrasting” section as it uses different keys and a different melody line than the other three sections. What a recording. [Verse 1] D A D Glorious things of thee are spoken, G A Zion, city of our God; D A D he whose word cannot be broken G A formed thee for his own abode: C A on the Rock of Ages founded, E A what can shake thy sure repose? He shows us just how much you can stretch time while still making something sound so beautifully lyrical. This is followed by another eight-bar phrase that we will label A’. In the B section, I've seen that Am7 played as Am7 and Am7b5. There is some really neat contrapuntal stuff going on here between the two of them. If you can not find the chords or tabs you want, look at our partner E-chords.If you are a premium member, you have total access to our video lessons. Jazz Blues Songs List: Top 50 Blues Heads, Autumn Leaves Tutorial - Intro, Chord Melody, Single-Note Solo & Chord Shapes, The Ultimate No Nonsense Guide to Jazz Harmony, How to Play Shell Voicings for Jazz Guitar (3-Note Chords). This type of arpeggio comes in handy when playing with a bass player or another comping instrument, as the root is already being heard and therefore we do not have to reiterate it in our lines. Which, I believe, is … To begin this lesson, we’ll start with the famous intro Charlie Parker played on his recordings. Many thanks for London. You can watch the lesson below and get the tab here. Either way, be sure you know it if you are learning this tune. Again, the last bar of this section contains a short 2-5 in F minor, as we saw at the end of the bridge. Nevertheless, the tune become one of the all-time great jazz standards. The third section contains bars 17 to 24 and will be labeled B. The second chord subs appear at the end of the second A section, in bars 15 and 16. The first five bars of this section repeat the same progression from bars 1-5 of the A section, before moving on to new material in bar 30. Exceptions will come up here and there to accommodate the melody and add some color, but they are the basis of most of this chord melody. As usual, we are making use of shell voicings and drop 2 voicings. In the second example I have kept the same rhythm but instead of using the 1 3 5 7 arpeggio, the line is based on the 3 5 7 9 arpeggio of each chord. All the Things You Are, presented with ukulele chord diagrams and audio recording. In this chord sub, which you can see and apply in bars 7 and 8 of the first A section, you will climb up the diatonic chords, Cmaj7-Dm7-Em7, before moving down chromatically to the next chord in the tune, Cm7 in bar 9 of the tune. gracias por el espacio y la dedicacion! I first heard this introduction on Charlie Parker's version. "All the Things You Are" is a song composed by Jerome Kern with lyrics written by Oscar Hammerstein II. You are an absolute star for preparing this much to be learn from lesson. Frank Sinatra tabs, chords, guitar, bass, ukulele chords, power tabs and guitar pro tabs including all of me, come fly with me, always, almost like being in love, all the things you are Cm5-/7 Fm7 Bb Eb Gdim The dearest things I know are what you are. I’ve also included a clip of Charlie Parker playing the same intro on a saxophone. Please log in again. As well as playing the original chord changes to ATTYA, there are a couple of commonly used chord subs that you can learn and apply to both your comping and soloing phrases when jamming on this jazz standard. Here, you will play a common turnaround that starts on the Imaj7 chord and then moves up to the iim7, then the iiim7 chords, before sliding down chromatically through the biiim7 chord to the iim7 chord at the start of the B section.
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